(This is a transcript of a live reading I did for The Brunch Club‘s weekly Arts & Laughs night. It was fun and makes for a v good lazy blog post.)
Before I begin, I want to make sure you all know that I’m by no means a comedian. I’m just a girl, standing in front of a crowd, hoping they’ll distractedly craft while she talks about herself. I also want to make it very clear that if I’m shaking it’s because I’m like a super cool, edgy, tortured alcoholic artist type and not because I’m nervous so fuck off, y’all don’t know me, etc. And, just FYI, I’m reading this directly from a sheet of paper because I, like, don’t even want to be here and can’t be bothered, not because I’m afraid of forgetting stuff because I mentally deficient-ed myself on New Years Eve by parachuting what was almost certainly bath salts and haven’t been the same since.
TBH, I do tons of drugs. Not in a sad Anna Nicole kinda way but in an attractive, totally non-laughable Hunter S. Thompson kinda way. They help me write about how much I hate things like, oh I dunno, my parents, my boss, alcohol, drugs, the institution of comedy, consumerist education and social justice warrior pussies. Yeah, I said it, pussies. Feel free to leave if you can’t handle it. It’s just a word you intellectual infants. To clarify, that was a joke. Again, I’m not a stand up comedian. I’m a writer. It’s what I do. It’s what I live. I’m also a very talented singer-songwriter slash actress, but we can engage with that facet of my creative self at a later date.
OK, so I hear that today’s topic is “jobs”. Quick Q from Wednesday me (yes, I wrote this a week ago): who made the obligatory Apple joke this evening? Or is this it? Present-tense me can’t answer that question because I straight up wasn’t listening to any of you. As you may have noticed, I’m very self involved.
Anyway, I, just like the rest of you peasants, have worked my fair share of jobs. Unlike you, or maybe like you because I probably don’t know you, I’m an overly accommodating person, which means that I get shat on at work, in a totally non-sexual sort of way, all the time. I know what you’re thinking – “bummer, this weirdly formal presentation almost had potential, guess I’ll just sit here and look at TubGirl on my phone”. I encourage you all to do just that for the rest of the time I’m up here. Commit that image to memory. It’s something I sincerely want to be associated with.
Being overly accommodating leads to a number of problems in the working world – you take too many shifts out of guilt. You smile when fat American tourists yell “Hey, Hooters girl!” at you from across the street. You let your creepy boss rub your shoulders for way too long after you tell him you can’t work at the restaurant that day because you’re literally purple and covered with hives, then decline his not-at-all tempting offer to come to your house and give you money “out of the kindness of his heart” as delicately and politely as humanly possible. Most importantly, when you’re too accommodating, crazy people love you.
Even when I’m putting on my absolute coldest front, the most out-there person in a twenty block radius will somehow find me and cling to me. It’s like a moth to a flame. They can see into my soul. For example, while filming a work video at Parc Lafontaine this summer, an old man clad in nothing but a hospital gown lumbered towards me like it was the Night of the Living Dead and started kind of clawing at my arms. Everyone else moved away but I just stood there and was I nervously like, “Oh, hello…” Until someone literally pulled me away from him. I’ve had this attitude towards the strangest of strangers ever since I was 15 and started working at a used CD and DVD store in a rather derelict neighbourhood in my hometown of Ottawa. The regulars were genuine freaks so, obviously, they loved me. Of course, 10 years later I’m like, “And honestly, you guys, I loved them too.” But at the time it was all super fucking creepy. For my first piece of art, I’d like to present you with a sketch of one such regular: Dean Daggett.
(Not a super accurate depiction, but whatever, I was in a rush GIMME A BREAK)
Dean was a large, sweaty and all around odious man who looked a little like a dinosaur with horn rimmed glasses, as evidenced by this sketch behind me. He would bring his own turntable into the store on a regular basis along with a number of children’s records from the 50s and 60s and play them at top volume while yelling at my co-workers and I about the time his friend shat himself “real, real bad” on the bus. Dean loved this story. The real takeaway of the tale was that Dean was an awful person who refused to let his buddy off of public transit in order to find a bathroom and then, once the duce had been dropped, literally pointed at him while laughing and screaming “THIS GUY FUCKEN SHAT HIMSELF! HA HA HA HA!” Legend had it that this was a true comedic triumph, what with the rest of the bus (driver included) joining in and mocking his friend mercilessly. In reality, I’m sure Dean just shat himself on a bus once and spent the next 15 minutes daydreaming as he awaited his usual stop at Elmvale Mall instead of seeking a bathroom immediately. He was just that kinda guy.
For my next piece of art, I’d like to introduce you to the man who served as the impetus for this whole story. This is CD Warehouse regular Milton Hunt who, as a perpetual singleton all throughout high school, I suspected may be the love of my life, whether I liked it or not.
(This sketch, on the other hand, is eerily accurate and perfectly captures Milton’s essence)
Milton Hunt was 40-something going on 105 and lived with his mother, whom he, on more than one occasion, claimed to be either dead or ailing. On the days she was alive and well, she was just a quote “fucking bitch”. He would call the store numerous times each day, always asking to speak to me. If I wasn’t there, he would reluctantly speak to another female employee, but only for half as long as usual. Milton would keep me on the phone for upwards of half an hour looking up DVD titles for his favourite actors, among them Steven Segall, Arnold “Swartzshegger” and QUOTE “that jiggaboo… what’s his name… Snipes”. Sometimes, a few minutes into our conversation I’d hear the slight splashing of water because, well, he was calling me from his mother’s bathtub. Super cas, no big deal, right? And for some reason he was always telling me to order pizza. More specifically, he’d say things like “you shouldordera pizza. Sit down, you know, with yer boyfriend an’ pop in an old DVD and then ya open the pizza box, ya know, puts his arm around you, you go with the little controller thing and go watch the DVD with yer pizza, maybe a coke?”
After two years of dealing with this guy on the phone and in person, he calls the store crying. Apparently, he’s dying. Milton Hunt, the accidental love of my life, is dying and he’s leaving me all of his stuff. He promised me all of his silver and gold that definitely didn’t exist and all his shitty, nicotine stained DVDs that most certainly did. He told me to get my boyfriend’s truck, come over to his house and pick up all of his stuff. Hmmm… not to be a dick to a dying guy, but this is when I started getting a little suspicious. Just a little bit. He gave me his address and told me to call and check in on him later that week. Then, he hung up. I didn’t hear from him for a full week. A record seven days had passed, and no word whatsoever. I went to see that movie Half Nelson, where Ryan Gosling is addicted to crack or whatever and found myself crying – not over his first-world, cismale bullshit bougie meth habit, but over the awful person I had become. How could I let Milton die without fulfilling his final request? A dark cloud hung over me – I was 17 and had basically killed a man by making him feel like there was nothing left to hold on to.
But, days later, who walks into my downtrodden CD store without a care in the world but ol’ Milton himself. He made no mention of his near-death experience, aside from unzipping his fanny pack and flashing his fluids at me. He asked me about a few DVD titles, but didn’t stick around too long. I guess he was a little bummed that I foiled his whole plot to kidnap me thing, or whatever that was. I guess the moral of the story is something along these lines: everyone is out to get you, intentions are never simply “good”, trust no one, and don’t feel bad about being a dick if it means possibly avoiding certain death or a lifetime chained up in Milton Hunt’s bathtub being forced to watch Arnold Schwartzshegger movies.
(Sarah Davidson, artist and high school confidante, spells it out for me)